Wednesday, 28 November 2012

Editing #2

Today I wanted to focus on the estate scene and figuring out exactly how the interaction between the witness and the mob would occur. 

Our initial shot list wasn't as specific as I  needed to be to capture the shots, thus I re-thought the shots and planned what else we would need to film. I will be shooting the rest of the footage with a steadicam. (I shot much of the estate shots like this, whilst the cafe was predominately shot with a tripod.)


I'm pleased with how the ending of the video is beginning to look. This is exactly what I had intended and the CU of the head mob member at the end perfectly illustrates the cliff-hanger. 



When I was editing this ending, I broke it up into four main shots that are shown above. We see the mob walk through the doors in the first two shots and I had to take into account certain aspects such as the door closing in sync and making sure the actors were walking through the door at the same point, during the switch over between the two shots.

Monday, 26 November 2012

Editing #1

For the first part of our editing we began sequencing the footage from filming parts I & II.



The screenshots above illustrate all of the footage we have in place and what else we will need to shoot during the third part of filming. 

The thriller first opens with a shot of the Witness running from the estate. This is a shot that is repeated at the end of the video, thus it gives the audience an insight of what is to come. We thought this was a particularly effective introduction, before we are shown the cafe scene below. We can then distinguish between these two different time settings and relate to the estate scenes as being part of a flashback. 


We began to piece together this initial cafe scene, before we broke the scene up with shots of the cafe as the story becomes narrated. 


I decided to change the motion speed of the estate shots, to fully emphasize these establishing shots. 

A series of shots are used before the action takes place (victim is pulled from his car). We are also filming the victim's entrance into the estate via car, to build up more of a setting, before throwing our audience into action.


Saturday, 24 November 2012

Final Cut Effects


Here is a list of Final Cut effects I have identified as being useful for the thriller video.


Having explored many video tutorials on Youtube and experimented with Final Cut, I have began to piece together the specific editing style I am after, to suit our thriller video. I am giving careful consideration to effects in order to achieve my desired video, but also to not completely tarnish it with misplaced effects.

We have agreed as part of the editing to first edit the footage and piece it together in Final Cut Express. We will then open the project in my Final Cut Pro X, (essentially as post-production). 

Friday, 23 November 2012

Filming #2

Heres are some stills and some photos of the set from today.


Today I managed to capture the discourse through shots I hope will engage our audience and feel the suspense.


I filmed the whole of the cafe scene, Chris acted and Declan came up with ideas for some of the shots. Throughout I made sure to get enough 'extra shots', acting as more establishing shots. I find this is particularly useful during the editing, where more cut-shots tend to be used than planned in an initial shot list.



Wednesday, 21 November 2012

Filming update

We were unable to film the estate scenes today due to one of our actors being ill. This has now been scheduled to Monday 26th November. We will be filming the cafe shots this Thursday and editing will then commence next week. 

Friday, 16 November 2012

Planning filming part II

For part II of the filming our biggest obstacle will be maintaining continuity with the weather on the estate scene. 

However this should not be a problem, as the weather on Monday is due to be overcast and when subjecting both sets of footage on different days to colour correction/editing on Final Cut, we can alter this continuity. 

We have maintained using social media as a great way of keeping everything organised and being able to communicate with our actors so readily. 

Thursday, 15 November 2012

Research into Sound

In today's lesson we considered the importance of sound in films. The biggest consideration to take is: "what isn't present in a scene is just as important as the sound that is present in another". This is important with building suspense and engaging the audience during film openings, thus it is crucial we give careful considerations to the sound in our thriller opening. 

The websites: 
http://www.looperman.com 
http://www.incompetech.com/music/royalty-free 

are good for accessing royalty free music loops, acapellas and vocals. This is an important legal consideration to be taken. 

When looking over http://designingsound.org, I came across a series of interesting articles discussing the use of sound in film. One in particular, "DTS presents: Music Sound Design with Diego Stocco by Jack Menhorn" explores how soundtracks can be generated by playing unlikely sources. 



This video was particularly inspiring. For our thriller opening we have already considered making our own non-diegetic sounds to illustrate actions such as the kicking of the victim and the scuffling of the witness' shoes. 

This article was also useful: http://mixonline.com/post/features/movie_sound_effects/index.html

It gave me certain considerations to take on-board, for instance, the importance of sound and why it is used. A good example of this is "Although realism is important as a baseline, more often than not the recordings (or library recordings) get beefed up considerably."  

Things such as "A classic technique for making car chase sounds more exciting is to subtly layer in a lion (or other large animal) roaring to add to the tension of the sound. Although that’s become somewhat of cliché, it can be very effective." This has left me considering what can be put into our 2 minute thriller opening across the two different settings (the estate and the cafe) to emphasize the narrative and add to the suspense. 

Tuesday, 13 November 2012

Experimenting with colour correction


Today I experimented with colour-correction on a project I had recently shot with some friends.

Both of the below, are before and after examples of the alterations I had made.




With the use of effects such as Vignette, Strife and Projector, I have begun giving my video more of the desired 'cinematic-look', in essence, giving it more of a darker look, which is typical of thriller films.

What I have given particular thought to is the desired realistic look of the video. I did not want to simply tarnish it with effects, but instead maintain a real-life look. Protecting the skin when editing the colour for example, has been one of these considerations.

Sunday, 11 November 2012

Filming #1

Today's filming was a success.

We managed to get together the majority of footage for the Estate scene and the ending scene of the mob walking into the cafe.

Here are some stills from my camera.






Next week we will be completing the Estate scene and the scene of the discourse in the Cafe. 

Thursday, 8 November 2012

Glidecam

I will now be using a 'Calicocam' Glidecam for the filming. 

For previous final cut tests, I simply fastened my camera onto a tripod which worked surprisingly well as a makeshift glidecam, giving a fairly precise and steady motion for the footage.


However this will make the footage more steady and I will hopefully find it to be of much use.

I have also been looking at several 'Calicocam' videos on YouTube. Here as some examples which I have found useful for deciding whether to opt for using a glidecam or not; the comparison between using one and not, is demonstrated:


Tuesday, 6 November 2012

Production Schedule

Here is my production schedule for the construction of our music video. 


Monday, 5 November 2012

Study of Mise-en-scene in Thriller Films


Mise-en-Scene is a French term meaning: ‘what is put into a scene or frame’. It can also be defined as the arrangement of scenery and elements to represent the place where a film is enacted. The composition of Mise en scene within film, provide an indication of genre and we as an audience can begin to recognise these set conventions.

Lighting & Colour -  The way lighting is display within a film or scene is a big indication of genre. Thrillers often use low-key lighting because it creates suspense and an enigmatic atmosphere. Whereas genres such as romantic comedies would tend to use high key lighting to produce the atmosphere of romance and love. Colour is key convention, which comes parallel to lighting as we associate emotions and thoughts with different colours.

Black - Darkness/Evil
White – Purity
Green – Envy
Red- Love/Lust/ anger/danger
Blue- Cold/ sadness/ depression
Yellow
- sunshine/ happiness

Setting And Props - The setting relates to location. For example, the typical conventions of thriller film settings would be a dark warehouse or haunted house. D
epending on the props used, these objects can help determine the narrative, identity of character and genre.

Facial expressions and Body Language -  By the use of these elements, the emotion of characters can be conveyed. Non-verbal communication such as this, helps the audience to assume characteristics about the character and how they are feeling by not being directly told. For example, if a character is scared we can tell by their proximity to the object/person.

Costumes and Make-up/Hair - The use of costume and makeup allow actors to appear lifelike, because how we present the character reflects on how the audience perceive them. Choices of costume and makeup can create a conventional thriller character; i.e. omission of 'glamorous lipstick' and instead pale makeup will make them look dead. If you want to show a woman fearful and in tears, smudged make up can be used to display her emotions. Costumes can carry certain connotations, including the emotions of the character display by colour.
Position of characters and objectives in a frame -  The way characters are positioned within a frame can tell the audience a lot about the character. levels of supremacy can be identified (asserted by Prevelance in editing), by how characters are centred and angled. In murder scenes, the killer is the dominate character, whilst the victim is the minor character. This can be displayed by staging and levels of the characters.
Study of Mise-en-scene within 'Se7en'.


At the beginning of the view there is a shot of Morgan Freeman in his house. The character's tidy and decorated house, showing him as somebody who takes pride in the appearance of his home. This is a complete contrast to the the typical thriller setting which often starts off within a dark and gloomy setting. His clothing portrays him as the stereotypical smartly dressed detective, including a trench coat and hat. This ultimately portrays the basis of the narrative, with emphasis pus his career immediately and that the film will be based around solving murder mysteries and other crimes.

We meet the other detective within the scene, Brad Pitt, who is a contrast to Morgan Freeman, as he is young, a lot more relaxed, and has a cheeky attitude, whilst Morgan remains a lot more serious. Brad Pitt has an individual detective costume of a leather jacket and more casual clothes, which goes against the stereotype that Morgan upholds.
Through the mise-en-scene you can tell that the two policemen are binary opposites. As Brad Pitt is the trendy cop with a unique costume and attitude, which is emphasized by him chewing gum. Pairing these two characters together creates conflict, thus one could be referred to a protagonist and the other as an antagonist. These contrasting characters at the beginning create an enigma, to interest the audiences to see the further complications. 

The house that the crime took place in appears smokey, undecorated and has a gloomy, enigmatic aspect about it. This suggests that something terrible happened there and conforms to the stereotype of thriller settings. The two detectives then leave the house and walk into the typical urban city. This gives the audience an idea of the location, highlighting that it is based around the poorer areas of a city in America, with heavy rain pouring down in a lower class, urban city. Ultimately the onomatopoeic, 'pitter patter' of rain has dark connotations and infers that this narrative is going to become much darker, in the hope of solving the criminal activity. 

Friday, 2 November 2012

Group organisation via social media


We decided to create a group conversation between us and the actors on Facebook, to enable us to keep in contact with them. This has been particularly helpful for deciding the shooting dates (which will be displayed on the Production Schedule) and discussing things such as required costumes. During the Cafe scene we will be using different costume to that of the estate scene.